Latest Image, "Repose" by D. "Bodhi" Smith

Here is my latest composition entitled, "Repose" This image was captured a few weeks ago on January 18 during another one of our gorgeous California sunsets over the Pacific Ocean at the Huntington Beach Pier.

This is another extremely long exposure of over 11 minutes so that I could minimize all of the people who were roaming about on the pier and directly in front of me in the water enjoying the same sunset that I was...on this night, with this radiant sunset, there were ALLOT of people, so I need the extra exposure time to "erase" them from the composition.

The name come for the fact that the word "repose' has multiple meanings, each of which fits well for me with this image. Until this image, I had not captured a color image of the Huntington beach pier which even remotely overly thrilled me until this one, so this is another "reposing" of the pier before me. It also lives up a couple other meanings of repose--laying in tranquility or sleep, and situated in a particular place...this pier is "going to sleep" for the night as people leave after the sun went down....plus, it is a staple of Southern California culture and an icon in movies, music videos, album covers, pictures, and vacations.

Anyway, I hope this message and image finds you well.

Camera settings: ISO-100, 24mm at f/8 for 677 seconds (11mins, 11secs) about 15 minutes after the sun had set using one Lee Proglass .9ND Filter (3 stops) and one Lee .75ND Grad filter (2.5 stops) to balance the sky with the darker sand in the foreground.

peace,
D."Bodhi"

#LeeFilters #Nikon #D800 #Nikkor #80-200mm #Dolica #BodhiSmith #Huntington #Beach #Pier #Pacific #Ocean #Sunset #LongExposure #LE #PCH1 #OrangeCounty #California

"Coronación de la Puerta" new release by D."Bodhi" Smith

Entitled, "Coronación de la Puerta," this is my newest composition. It was captured last Sunday during a surprisingly low tide event at sunset on the extreme south end of Little Corona Beach in Corona Del Mar, CA. As the sun was setting, I never would have imagined that I would end up capturing this surreal little beauty with my camera.

Last Sunday, I was watching the clouds all day and hoping for something stellar at sunset. When it looked like maybe something special was going to occur, I headed off to Newport Beach with my dog, The Dude, as well as with my friend and fellow photog, Jeff Deveau. This area was selected for two reasons, Jeff had never really shot this part of Orange County, and it is a great low tide location to shoot, and it was a low tide on that evening.

We arrived slightly late after hitting a couple "detours" and traffic along the way, consequently it was only 20 minutes until sunset as we were walking down onto the beach at Little Corona. I quickly noticed that this low tide was much lower than it was supposed to be (according to my favorite app: "Tide Chart Free"). So, I decided to quickly hump the half mile trek southward down to the hidden arch; Jeff opted to stay at the north end of the beach by the sphinx and bypass the sketchy hike which can be tricky and slippery, especially when rushed.

The beach was overly crowded for a winter's evening, but I think that lots of people just all decided to try to watch/photograph a stellar sunset at this magnificent location on this particular night for some reason. Having all of the hordes of people present was yet another big part of my reasoning in my decision making process to head south to the hidden arch, especially since there is never more than 1-2 people tops ever down there as most people do not even know of the arch's existence.

My pup and I hustled down the beachline and actually safely made it before sunset in a record time. But, Wow, really?!? When I got there, I could not believe my eyes...there were 12 other people there. Twelve!? There was about 6 others photographing the arch, 3 on-lookers, and 3 people climbing on the arch. Never have I seen people climbing the arch, never. There actually might have been more people than pelicans and birds here for a change because of that fact.

Three of the photographers were set up pretty far back of the arch itself trying to catch reflections in the tide pools. This was not a composition I was crazy about, especially with the fact that the clouds were quickly dissipating at sunset as they often do here. Eventhough the climbers were in everyone's compositions as the sun was setting, I did not want to get in the way as well of the other photographers who were there before me by pushing forward to the spot I would rather have set up closer to the arch, so I set up in line with them and opted for my Nikkor 80-200mm f/2.8 lens for this shot.

However, it really looked like this was not going to be a night when I captured anything special as the sun was setting. The composition was really not doing anything for me. There were way too many people milling around for this spot, the light was off in the wrong direction, plus, the clouds and sky were stubbornly not cooperating well with me either.

From where I was set up, most of the rockband to the right of the arch was blocking out all of the wonderful colors in the clouds that were really glowing on the horizon five minutes after the sunset. The climbers were all standing on top of that side of the formation watching the cray reds in the sky absolutely going off like fireworks. Its brilliant colors pulled all of the other photographers around the side of the arch out of my sight to try to shoot it. This left the arch wide open all to myself for me to shoot. But, I did not move with them, for I was was just not crazy about the composition facing northwest, even though the colors of the sky were awesome. I decided to stick with my composition of the arch as "a door with no sky" in the scene except only those few glowing clouds that could be espied through the arch.

I actually could have moved forward to the spot I first wanted because everyone cleared out and headed back 20 mins after the sunset. But I was already set up and did not want to have to swap out my lens, filters, and then redial in my focus. I did get my wish of solitude, as all 12 people, including the climbers, evacuated the scene and were slowly making their way back north navigating through the slick and sharp rocks under the cliffs in the low light. Jeff said he saw the steady stream of headlamps slowly progressing their way towards his location. My pup and I were alone under the fading dim red glow of the sky.

I always overshoot. I usually will not leave the beach until the light is totally gone. I just do not give up that easily. Even on this night when I truly figured that a great shot was just not in the cards, I stuck it out just a little bit longer. More-often-than-not, I capture nothing as the light quickly falls of--it happens all too frequently, and unfortunately, is one of the banes of being a landscape photographer (if watching beautiful sunsets in isolated places on the beach can ever be any sort of a bane).

Ten minutes after sunset as the other people around me were clearing out, I had tried to capture a 15 minute (900 second) exposure using my Lee Proglass 3.0ND filter (10 stops) at f/11, but the image came out too dark in the dwindling light. Still, I decided one more shot (I am glad I made this decision!)...took the 3.0ND off and replace it with a Lee Proglass .9ND filter (3 stops), patted my pup on the head for luck, bumped my aperture up to f/8, re-focused at the new f/stop, set the timer for 500 seconds (8 mins 20 secs), and sat down on a rock next to my dog to enjoy the gorgeous colors still in the sky while my camera took its last shot of the night. Now, here before you are the results for your eyes to enjoy. :)

This ultra long exposure photograph helps me to ultimately fathom a deeper meaning of witnessing things before me that cross through into another dimension--sort of like the meaning behind the name of the famous rock group, "The Doors. " With chills running up my spine, I can imagine a partially delusional Jim Morrison watching a groovy surreal sunset such as this at this spot and afterwards finding enlightenment for a name that he would forever be linked with..

My title roughly translates in English to the "Crowning of the Door"... I was not going to put this image out there until after I finished processing my Easter Island series, but the Vice President of Sales at Dolica Tripods (Daniel C.) saw this image on the back of my camera when we were out shooting together last week. A big reason for me selecting my title in Spanish is to honor his heritage and parallel the name of the town where the picture was captured with my feelings of transcendence. Daniel's stoked reaction alone made me decide to process this image a little quicker...let me know if you think his reaction was right...

Camera settings:ISO-100, 80mm at f/8 for 500 secs using one Lee Proglass .9ND filter to drop the exposure 3 stops as the light was dropping off exponentially at 25 minutes after the sunset at 5:40pm.

This image is dedicated to VP of Sales, Daniel Calderon, at Dolica tripods for instilling the desire in me to process this image now and not wait until later...thank you Daniel.

I hope this message and image find you well.

Peace,
D."Bodhi"

#Lee Filters #Dolica #Nikon #D800 #Nikkor #Sunse t#Long Exposure #Orange County #OC #Corona Del Mar #Newport Beach #Low Tide #Arch #Impressionist #Surreal #Doors #Bodhi Smith

New release, named "Daylight" by D."Bodhi" Smith

This is another new release entitled, "Daylight." This was also taken a couple days ago when I took my photography class on the field trip to the Oceanside Pier. It is named for the fact it was captured during the day and it is a light post.

I did not have much time to take many images because I was enlightening my students on how to follow the light and positioning, plus having them all seeking out good compositions using specific applicable concepts from the Elements of Art and Principles of Design (rule of thirds, leading lines, using negative space to name a couple). But during a couple instances I would shoot some exposures and have some of my students mirror/shadow me to help them better visualize good compositions through their own camera eyes--this image is one of those instances.

For this image I was demonstrating to my students that less is better sometime when shooting landscape photography--I was hoping to instill the idea of minimalism in their minds for this trip and for the future. I do believe one or two of my students were able to capture this scene beautifully and those images will represent them well at the San Diego County fair competition again this year...

For the time we were there in Oceanside, I could not have asked for better lighting conditions for my students to capture all of the seascapes around them on this morning--it was hazy cloudy which created diffused soft light with limited shadows.

For me, this is my style of photography as I love the simplicity of minimalism and use it as often as I can in my compositions...however, this composition found me changing my technique a bit again so I could model for my students how to capture this scene with the available equipment and lighting conditions (they do not have access to all of the ND filters that I regularly use with my long exposures). The result is that this is a very short exposure for me, but I like the results, and even better, I was able to use this as a good learning experience for my students.

Camera settings: ISO-50, f/2.8 at 24mm for 1/2500sec using NO filters again, captured at 8:45am on the Oceanside Pier.

I hope this message and image find you well.

peace,
D. "Bodhi"

New release, "Stare Gaze" from D. "Bodhi" Smith

New release entitled "Stare Gaze"...the eyes of this pelican totally caught my eye--and of course, what followed was a staring contest that ended with him winning and me taking this image.

I took my students on a field trip to shoot the Oceanside Pier and the beach yesterday and was crazy busy helping them all look for compositions and practice good techniques, but I was able to get a few brief moments to myself and capture this image you see before you here...and of course, I had a couple of my better students mirror me with this composition and take their own versions at the same time as me as well.

Btw, this image is WAY outside of my comfort zone, as I seldom shoot wildlife, let alone birds--so I hope I do not embarrass those "birders" out there who know me (you know who you are, so I will not drop names ;) ). But I hope everyone likes this image and appreciates my efforts to step away from my normal photographic style with this composition...

I hope this image and message find you well.

Camera settings: ISO-50, 24mm at f/2.8 for 1/1500 and no filters. Image captured at 9:00am about halfway out the Oceanside Pier in Oceanside, CA

Peace,
D."Bodhi"

Bodhi Smith new release, " Soul to Rest."

This new release is entitled, "Soul to Rest." This composition was taken during a brilliant sunset last month on Coronado Island in San Diego, CA. I took this shot a couple days before departing for Easter Island. I chose to release it now as I did not want it to get lost in my archives once I started processing out all of my Easter Island compositions over the next couple of weeks.

This was one of those rare times where I feel my photography came up inadequately short with capturing the true essence of the awesome beauty I saw with my own eyes on that particular winter evening over the Pacific Ocean...I was overwhelmed by the magnitude of color in the sky on that night and just could not do it justice with my camera.

Some of you know that a few months ago I had been commissioned by a husband and wife to create a special composition of a particular spot on Coronado Island that holds special meaning for them. This couple has entrusted me with the task of creating the new centerpiece of their beautiful home on top of the hills in De Luz, CA...I will not disappoint them.

However, many weather related things have to align for me to fulfill the vision I have in my mind's eye for creating the perfect impression to capture for them with my style of photography. On Coronado Island, I need a fiery sunset full of colors, and to get this bold display of hues, I need the tail end of a Pacific storm to be exiting right before sunset...plus, this spectacular sunset has to happen during an extremely high tide so the waters reach the spot they want me to immortalize--the spot is located quite far up on Coronado Beach close to the Hotel Del and I predict a tide of at least 5.5-6ft is needed for the water level to reach it.

Unfortunately right now, the high tides are happening at sunrise, and the low tides are happening during the sunsets. It is going to be a few months before the high tides flip back and start aligning with sunsets. This is another example of the never ending patience needed in photography. I need my clients to have that same patience as well...

So in a showing of good faith that I am shooting this location, the image here is the second stellar composition (the other one is named "The Promise" from back in October 2014) that I have now captured close to the spot they want. Almost all of the weather needs aligned here for this picture except one--this was taken during an extremely low tide event and I am positioned several hundred feet out at the extreme end of the rock reef waste deep in the incoming waters. However, like the first image (which also had all of the elements present save one--it was captured during a sunrise not a sunset), this newest one again shows the great promise of something better to come in the future.

This composition gets its name from another of my play on words with a dual meaning. "Sol" is the Spanish word for sun and is pronounced the same as "Soul." The soul of this image is the sun (sol), and it is setting to take its rest for the night. However, the inspiration for this title is a little bit more somber: a well know soul here in Temecula named Zeus just passed away on Friday due to unforeseen complications during a surgery, and I wanted to always have something that would remind me of him just a little be extra: Zeus' great soul is at rest.

Camera settings: ISO-100, 44mm at f/8 for 142 seconds (2 mins, 22secs) using one Lee Proglass 3.0ND filter to drop the exposure 10 stops and one Lee .75ND Grad filter (resin) to bring the brighter sky down 2.5 stops to balance it with the water in the foreground.

I hope this image and message finds you well on this day of rest.

peace,

D."Bodhi"

"I'orana Tongariki" new image release by D. "Bodhi" Smith

Entitled, "I'orana Tongariki" this is my first released in my new series of Easter Island (a.k.a. Rapa Nui or La Isla de Pascua) compositions taken with my Nikon D800. Warning: there is going to be quite a few of these over the next couple of weeks.

The name of this image is derived from the Rapa Nui native language with the word "I'orana" which means hello-goodbye (similar to the word Aloha in Hawaiian) combined with the collective name of these moai (statues) which is "Ahu Tongariki." I chose I'orana because these statues greeted me each morning with stellar sunrises while I was on Easter Island, which made it hard for me to say goodbye to this place...

Btw, this is one of the most magical and transcendent places on the entire earth to enjoy a sunrise. The glory of Ahu Tongariki more than wakes you up-- it brings every essence of existence to life physically, emotionally, and spiritually. I am now one week removed from my last hours spent at this spot, and I miss it dearly.

Some background info here...The Ahu Tongariki is a ceremonial platform with fifteen moai on it, all of various sizes and shapes, and all in a perfect North-to-South formation facing west with their backs to the Pacific Ocean and the rising sun every day. I am sure the alignment and placement of this ahu is not a coincidence. I was lucky enough to be at this location on the east side of the Island every morning (but two) that I was on Easter Island, and I was treated to beautiful sunrises each time.

An interesting note, one of the moai has a pukao (tophat) because when the archeologists raised these fallen statues, they chose not to use a pukao for any of them...but, the locals believed each of the moai here should have a pukao, and made a statement by managing to place one pukao atop of one of the moai (second from the right) with their own efforts. Not sure if there is any sort of a movement to get a pukao placed on top of each of the other fourteen moai on the Ahu Tongariki or not.

Camera settings: ISO-800, 80mm at f/16 for 260 seconds (4 mins, 20 secs). One Lee Proglass 3.0ND Filter (10 stops) was used to achieve for the long exposure, and one Lee .75ND Grad Filter (2.5 stops) was used to balance the brighter sky with the darker foreground. Image was captured at 7:03am about 20 mins before sunrise.

Some of you might be wondering why did I select an ISO-800? Honestly, I was shooting the dimming stars as the sun was rising the whole hour previous to this shot, and I simply forgot to drop my ISO back down to 100 when the light started getting brighter...I have done this about three times now when I have been out in the field, and I kick myself for being stupid and absent-minded sometimes when a I am caught up in the beauty of the scenery.

Luckily, my Nikon D800 handled the extra noise from the higher ISO extremely well, as it always does, which is big reason why I own it since I shoot such long exposures and a by-product of that fact is always dealing with extra noise. However, the extra grain in the image from the higher ISO did alter my perception of how I needed to process this image, so what you see here is something a bit different in color tones and texture than my all of my other compositions...

I hope you enjoy this image and that its message finds you well

Peace,
D. " Bodhi "

New Release, "Hoku-Noho-Aupuni" by Bodhi Smith

New image entitled, "Hoku-Noho-Aupuni". The name translates to the term used to describe the Milky Way in Hawaiian.

All I can say is that here are gorgeous stars and night skies in Hawaii. The beauty of this island does not disappear when the sun sets...

This image was captured in Kihei at 4am, a couple hours before sunrise

Camera Settings: iSO-1250, 24mm at f/1.4 for 13 seconds.

I hope this message and image find you well.

Mahalo and Maluhia,

D."Bodhi"