This is my newest composition, it is entitled "Ascension." I captured this composition under the brightest and deepest Milky Way that I have ever witnessed in my life during a recent trip to Natural Bridges National Monument in south central Utah about a week ago.

This night was a beautiful evening that I got to share with my dog and my muse, the Dude. And I think that this photograph does manage to give the scene justice for what I saw with my own eyes...which is difficult at times for a photographer to translate from what is actually seen into what is actually captured by their camera lens

This was taken both before and some time after (I explain this more below) my other image of the same natural bridge in southern-central Utah (my previous image is called Owachomo and can be seen directly below this post). This is very much a similar capture, except I stepped back from the edge of the pool about 10 feet to create closure with the pool of water at the bottom of the composition which also creates a bit more of a wider view of the entire scene as well...

I consider this one as the expressionistic version and the previous one as the impressionistic version. For this composition, I used the stars more boldly and aggressively to create a different mood and bring out other stronger emotions. This one is not soft and subtle like its predecessor--this one is more vivacious, dynamic, and resonating. Both taken together, the two different compositions really evoke quite separate moods of mine under this spirited sky on this particular night.

Like all of my recent images, without planning, this composition could not have happened (unless someone was just crazy lucky). The correct conditions were absolutely perfect for this image to be possible and it will be quite some time before all of those wide-ranging variables align once again. This is yet another example of what I call "Planned Chance" in photography,which is the title of my upcoming book on photography due out sometime this fall of 2015.

There was a perfect alignment a week ago of a deep and dark Milky Way over top of Owachomo Bridge with close to a new moon cycle under crisp cold cloudless skies (gonna be a long while before it aligns overtop to the due north like this again)...no winds what-so-ever to keep the trees sharp...there still is water in the big pool to its south down below in the dry wash that will dry up soon without more rain....pre-scouting to find this elevated vantage point about 20ft above the pool to capture deeper reflections...and cold conditions to help limit some of the color noise pollution in the image (it was 20°F and I was freezing my rear off!)...

Result: A vivid reflection of the stars and Milky Way in the pool, along with the dark shadow of the bridge reflecting in the pool, and then a giant and vigorous Milky Way up above the natural bridge.

However, this ethereal image would NOT be impossible to capture in just a single framed exposure. To create this composition, I had to manually blend three separate images. Each were taken during the time span of about an hour, each with a different exposure. Because the images were taken with such a gap of time between each and at varying camera settings, Photoshop couldn't automatically photomerge the 3 images, so I had to go about the tedious and meticulous process of blending these together manually. It has taken me about 5 days to process this composition, with me having to walk away from it at times during periods of frustration. But alas, it is now complete, and you can witness my efforts here now for yourself. The first image was taken of the bridge and rocks; the second was used to capture the sky and get the Milky Way as deep and dark as I could; the third was to capture a reflection in the water of the stars as richly as I could. The result of this blending created this vibrant portrait view panoramic composition you see before you at about a 1:2.5 ratio.

I hope you enjoy this image as well as my efforts here to create an entirely different feeling in this composition. This evokes emotions that are quite different from my last similar composition of this same spot on this same night.

Camera settings were slightly different for each composition, but all were shot at 24mm. The ISO, f/stop, and shutter speed varies on each. The exposure on the rocks and natural bridge was ISO-100, f/8, for 1/13 sec taken right around sunset; the exposure on the sky was ISO-1250, f/1.4, for 15 seconds; the exposure on the pool was ISO-2500, f/1.4. for 13 seconds...

I hope this message and image find you well.

Peace,
D. " Bodhi "

#Dolica #LeeFilters #Nikon #D800 #Nikkor #24mm #BodhiSmith #Utah #NaturalBridges #Stars #MilkyWay

"Coronación de la Puerta" new release by D."Bodhi" Smith

Entitled, "Coronación de la Puerta," this is my newest composition. It was captured last Sunday during a surprisingly low tide event at sunset on the extreme south end of Little Corona Beach in Corona Del Mar, CA. As the sun was setting, I never would have imagined that I would end up capturing this surreal little beauty with my camera.

Last Sunday, I was watching the clouds all day and hoping for something stellar at sunset. When it looked like maybe something special was going to occur, I headed off to Newport Beach with my dog, The Dude, as well as with my friend and fellow photog, Jeff Deveau. This area was selected for two reasons, Jeff had never really shot this part of Orange County, and it is a great low tide location to shoot, and it was a low tide on that evening.

We arrived slightly late after hitting a couple "detours" and traffic along the way, consequently it was only 20 minutes until sunset as we were walking down onto the beach at Little Corona. I quickly noticed that this low tide was much lower than it was supposed to be (according to my favorite app: "Tide Chart Free"). So, I decided to quickly hump the half mile trek southward down to the hidden arch; Jeff opted to stay at the north end of the beach by the sphinx and bypass the sketchy hike which can be tricky and slippery, especially when rushed.

The beach was overly crowded for a winter's evening, but I think that lots of people just all decided to try to watch/photograph a stellar sunset at this magnificent location on this particular night for some reason. Having all of the hordes of people present was yet another big part of my reasoning in my decision making process to head south to the hidden arch, especially since there is never more than 1-2 people tops ever down there as most people do not even know of the arch's existence.

My pup and I hustled down the beachline and actually safely made it before sunset in a record time. But, Wow, really?!? When I got there, I could not believe my eyes...there were 12 other people there. Twelve!? There was about 6 others photographing the arch, 3 on-lookers, and 3 people climbing on the arch. Never have I seen people climbing the arch, never. There actually might have been more people than pelicans and birds here for a change because of that fact.

Three of the photographers were set up pretty far back of the arch itself trying to catch reflections in the tide pools. This was not a composition I was crazy about, especially with the fact that the clouds were quickly dissipating at sunset as they often do here. Eventhough the climbers were in everyone's compositions as the sun was setting, I did not want to get in the way as well of the other photographers who were there before me by pushing forward to the spot I would rather have set up closer to the arch, so I set up in line with them and opted for my Nikkor 80-200mm f/2.8 lens for this shot.

However, it really looked like this was not going to be a night when I captured anything special as the sun was setting. The composition was really not doing anything for me. There were way too many people milling around for this spot, the light was off in the wrong direction, plus, the clouds and sky were stubbornly not cooperating well with me either.

From where I was set up, most of the rockband to the right of the arch was blocking out all of the wonderful colors in the clouds that were really glowing on the horizon five minutes after the sunset. The climbers were all standing on top of that side of the formation watching the cray reds in the sky absolutely going off like fireworks. Its brilliant colors pulled all of the other photographers around the side of the arch out of my sight to try to shoot it. This left the arch wide open all to myself for me to shoot. But, I did not move with them, for I was was just not crazy about the composition facing northwest, even though the colors of the sky were awesome. I decided to stick with my composition of the arch as "a door with no sky" in the scene except only those few glowing clouds that could be espied through the arch.

I actually could have moved forward to the spot I first wanted because everyone cleared out and headed back 20 mins after the sunset. But I was already set up and did not want to have to swap out my lens, filters, and then redial in my focus. I did get my wish of solitude, as all 12 people, including the climbers, evacuated the scene and were slowly making their way back north navigating through the slick and sharp rocks under the cliffs in the low light. Jeff said he saw the steady stream of headlamps slowly progressing their way towards his location. My pup and I were alone under the fading dim red glow of the sky.

I always overshoot. I usually will not leave the beach until the light is totally gone. I just do not give up that easily. Even on this night when I truly figured that a great shot was just not in the cards, I stuck it out just a little bit longer. More-often-than-not, I capture nothing as the light quickly falls of--it happens all too frequently, and unfortunately, is one of the banes of being a landscape photographer (if watching beautiful sunsets in isolated places on the beach can ever be any sort of a bane).

Ten minutes after sunset as the other people around me were clearing out, I had tried to capture a 15 minute (900 second) exposure using my Lee Proglass 3.0ND filter (10 stops) at f/11, but the image came out too dark in the dwindling light. Still, I decided one more shot (I am glad I made this decision!)...took the 3.0ND off and replace it with a Lee Proglass .9ND filter (3 stops), patted my pup on the head for luck, bumped my aperture up to f/8, re-focused at the new f/stop, set the timer for 500 seconds (8 mins 20 secs), and sat down on a rock next to my dog to enjoy the gorgeous colors still in the sky while my camera took its last shot of the night. Now, here before you are the results for your eyes to enjoy. :)

This ultra long exposure photograph helps me to ultimately fathom a deeper meaning of witnessing things before me that cross through into another dimension--sort of like the meaning behind the name of the famous rock group, "The Doors. " With chills running up my spine, I can imagine a partially delusional Jim Morrison watching a groovy surreal sunset such as this at this spot and afterwards finding enlightenment for a name that he would forever be linked with..

My title roughly translates in English to the "Crowning of the Door"... I was not going to put this image out there until after I finished processing my Easter Island series, but the Vice President of Sales at Dolica Tripods (Daniel C.) saw this image on the back of my camera when we were out shooting together last week. A big reason for me selecting my title in Spanish is to honor his heritage and parallel the name of the town where the picture was captured with my feelings of transcendence. Daniel's stoked reaction alone made me decide to process this image a little quicker...let me know if you think his reaction was right...

Camera settings:ISO-100, 80mm at f/8 for 500 secs using one Lee Proglass .9ND filter to drop the exposure 3 stops as the light was dropping off exponentially at 25 minutes after the sunset at 5:40pm.

This image is dedicated to VP of Sales, Daniel Calderon, at Dolica tripods for instilling the desire in me to process this image now and not wait until later...thank you Daniel.

I hope this message and image find you well.

Peace,
D."Bodhi"

#Lee Filters #Dolica #Nikon #D800 #Nikkor #Sunse t#Long Exposure #Orange County #OC #Corona Del Mar #Newport Beach #Low Tide #Arch #Impressionist #Surreal #Doors #Bodhi Smith

New Composition entitled, "Winter's Prophet" by Bodhi Smith

Okay, looks like i am on a roll...so here is another new composition entitled "Winter's Prophet." Next weekend on December 21st marks the official start of winter with the solstice, and I am hoping this storm is a prophet of good things to come. And right now, it looks to be true as it appears storms are lined up to hit us every few days over the next couple weeks. I guess I named it this because I am hopeful for this winter to bring us some needed rain to SoCal and in the process give me some excellent clouds to photograph above the ocean over the next few months.

So with the approaching Pacific storm hitting us here at low tide, I chose one of my favorite low tide spots on the coast. So me and my pup and muse, the Dude, met up with a friend and made our way to capture something special of this great place just south of Newport Beach and just north of Crystal Cove, CA

This long exposure was captured at Arch Rock in Corona Del Mar. This location can only be reached at low tide, unless you are one of the multi-millionaires with one of the three private homes on the cliff above the arch's alcove who have staircases down to the beach. You can get to it from "Little Corona" Beach and just start walking south about half a mile under the cliffs and along the rocks and reefs between the cliffs and the ocean. Rocks are slick and some are quite sharp, so caution is always a must with never being in a hurry literally taking it "one step at a time." Almost never is anyone here, and it is really a magical spot. I have been shooting this spot for months now, but until last night I have had nothing to show for my efforts. Again, proving my point that patience is necessary, along with good planning, and a bit of luck thrown into the recipe of success (I will be publishing a book called "Planned Chance" soon detailing all the methods I use to capture my impressionist photography).

I love the cool blue and silver tones in the image created by the sun dropping below the cold cloud deck on the horizon which was the start of big Pacific storm blowing to the north and coming ashore...the same system that is pounding us with wind and rain here in San Diego as I type this...

I also decided to make this composition prefect;y square with the length the same as the height (1x1) for reasons only known in my strange working mind...

Camera settings: ISO-100, f/8 at 18mm for 671 seconds (11 mins, 11 Secs) using 1 Lee 3.0ND Pro Glass filter to bring down the light 10 stops and one Lee .75ND Grad to balance the bright sky with the darker rocks in the foreground. Image was captured about 10 mins after sunset under clouds and quickly dimming light at 4:55pm

I hope this message and image finds you well.

peace,
D. "Bodhi"

New release by Bodhi Smith - "El Matador"

This new composition is entitled, "El Matador," and was captured recently in Malibu, CA at El Matador State Beach. The image simply gets its name from this gorgeous beach just along CA Highway 1.

I had to make a trip up to Santa Barbara close to two weeks ago during the Sunday after Thanksgiving--an awful day to travel, especially back into the LA basin from Santa Barbara. I had just ended my association with Oreana Winery and needed to pull my artwork off the wall and take it home to distribute to other venues for sale.

Having to drive on this notoriously ugly travel day on the roads here in California, I definitely wanted to make my efforts pay off more than just picking up my artwork and going home. So, I decided to drive the PCH-1 out of Oxnard along the ocean towards Malibu and Santa Monica, take some pictures and kill time, and let some of the nasty traffic diffuse....the traffic on the 101 was getting all constipated badly anyway in Ventura and Oxnard so it was a brainless decision for me.

It was raining off an on, and at times was very heavy. So heavy in fact, that I was one of the last vehicles to go through before they closed the PCH-1 down north/west of Malibu due to mudslides. When I went through, there was plenty of rock debis everywhere and a couple pretty muddy water falls flowing out onto the highway gaining in depth (looking like Willie Wonka's chocolate river). But I threw my Xterra into 4WD and had no issues what-so-ever navigating through the mess.

As I approached Malibu, I could see that there was going to be a bit of a break in the weather, and it was getting close to sunset, so El Matador SB pretty much chose me. This is a VERY nice beach to shoot, full of little arches and sea stacks of all type and characters. Normally a pretty easy climb down to the beach below, but the rains had washed out a large portion of the path above the staircase and made things very sticky-muddy. Took me quite a bit of time to get all of the packed mud off my shoes and my feet (I had to take my shoes off because the mud got too caked on them).

Once down on the beach, I did my usual survey of all the elements for about 20 mins and I chose this little alcove to shoot--only issue was that it was high tide, and to get the angle I wanted with the sun setting, I had to stand pretty deep out in the water and take a beating from the waves.. I managed to anchor my Dolica tripod very well into the rock/sand beneath the surface of the water--so well, that it never moved once despite the battering waves. And amazingly, my gear never took a single splattering of salt water (but plenty of salt in the air, of course, that would require quite a chore of camera cleaning later). I, on the other hand, got soaked from the waste down of course.

I chose to shoot an extremely long exposure of 10 minutes so that I could smooth out the violent seas and create the effect I wanted...I think my decision for this composition worked well for the conditions, but I really want to go back soon at sunset and a low tide to shoot this spot.

Camera settings: ISO-100, f/8 at 22mm for 610 seconds (10 mins, 10 Secs) using 3 Lee ND Pro Glass filters to bring down the light 15 stops (.6ND, .9ND, 3.0ND) and one Lee .75ND Grad to balance the bright sky with the darker rocks. Image was captured about 10 mins before sunset at 4:35pm

I hope this message and image finds you well.

peace,
D. "Bodhi"