Showing posts with label Tripods. Show all posts
Showing posts with label Tripods. Show all posts

Tuesday, April 21, 2015

Newest image is entitled "Noche de Coronado." by D."Bodhi" Smith


This newest image is entitled "Noche de Coronado." It was captured last Wednesday on a very calm, windless, clear, and moonless evening here in SoCal. This is a bit of a departure for me, as I seldom, if ever, take images of city buildings...but the stars and the reflection, well, I guess that is more like me.

The name is literally translated as, "Crowning Night" but could also mean "Night From Coronado"...both translations apply quite well to this image, so hence the title...

As many of you know, for the better part of 8 months now, I have been trying to capture a magical image of a reef on Coronado beach for clients of mine who were engaged and married on that very spot close to the Hotel Del Coronado. I have been patient (and thankfully so have they) waiting for the conditions to be right for the image i have in my mind's eye: I need a very high tide of 6 feet happening at sunset combined with clouds in the sky.

Last Wednesday I drove down to Coronado Island to give it a try and see if I could get lucky with mother nature, for the conditions were close with a 5 foot tide happening at sunset, but no clouds showed and the tide was ultimately not high enough. Closed out once again, bummer. Of course, I will not give up and I will be trying again in mid-May when the conditions are perfect hoping to get a cloud system passing over one of the nights during a 96-hour window of opportunity.

So while I was walking back to my Xterra along the beachway, I noticed that it was unusually calm for Coronado Island. I got in my truck and went over to the other side of the island to try my luck with another image I have had a vision of taking for a couple of years now...my vision needs a windless calm in order to optimize reflections I want to capture in the San Diego Bay at night...

This is another one of those famous scenes that is photographed by millions of people...it is taken from a vantage point across the bay on Coronado Island showing the San Diego skyline at night and its glowing reflection in the water. Easy spot to find, easy composition to make, easy to take with a little bit extra exposure time....but I wanted to capture something especially different, something my style of uniqueness. I wanted to create something that is impossible to capture in true reality at this location with one or even multiple exposures with a camera, as there is just too much light pollution created by the city lights to pull it off.

To get my vision, an image would need to be created from two separate exposures...using an exposure taken of the stars in the San Diego desert which I already had captured to be combined with the image of this Skyline taken on this evening. Of course, things would be considerably more technical for me to get the composition I wanted to create, along with needing things in nature to align correctly for me to match the image in my mind's eye with those taken by my camera turned into one composite image....

I needed the calm night to enhance the reflection of the lights and eventually the stars in the water. It also had to be clear and cloudless, with no moon to help create the final blended composition. This is an image composed of 2 separate exposures: one for the city and the skyline reflection in the water; the other for the stars in the sky (the stars' reflection is explained below). Using Photoshop CS6, I had to manually blend these two images together to create the composition you see here.

Camera settings: For the city and city lights reflection part of the image (not stars): ISO-100, 52mm at f/2.8 for 123 seconds using two Lee Proglass filters (.9ND & .6ND) to block down the light 5 stops and permit a much longer exposure while using such a large aperture as f/2.8. I wanted the larger aperture to soften the sky behind the city and the lights in the foreground as much as I could. For the stars part of the image: ISO-1250, 24mm at f/1.4 for 15 seconds using no filters (this is also a different lens than the one used to capture the skyline scene). The stars' reflection is a post-production addition using editing software to create the final effect on the image, an effect that is made further possible by the use of the long exposure of the city lights in the water making the bay flat and glasslike...

I hope this image and message find you well.

‪#‎Dolica‬ ‪#‎Tripods‬ ‪#‎Lee‬ ‪#‎Filters‬ ‪#‎Proglass‬ ‪#‎ND‬ ‪#‎LongExposure‬ ‪#‎LE‬ ‪#‎Nikon‬ ‪#‎D800‬ ‪#‎Nikkor‬ #24-70mm ‪#‎Seascape‬ ‬ ‪#‎Bay #Harbor ‪#‎Pacific‬ ‪#‎Ocean‬‬ ‪#‎Landscape‬ ‬ #Coronado #Island #San #Diego #Skyline #Reflection #Stars #Night #Sky

Peace,
D."Bodhi"

Newer image, Entitled "The Greeters" by D. "Bodhi" Smith


My newest composition here is entitled "The Greeters." This was captured during my recent trip to the south island of New Zealand in March/early April, 2015.

After my plane landed in Christchurch and I gathered my luggage and got my rental car, it took me a bit to get acclimated to the left-side road driving and opposite instruments and controls in the car. But soon after I was headed down the left side of the highway towards the south parts of New Zealand. My first stop was to be the Moeraki Boulders on the coast but was unable to capture anything because of a massive rain system hanging over the area that was also dropping many lightning bolts onto the beach...so I relegated this spot for capturing later (images to come of these soon) and drove to the city where I was staying for the next couple of nights, Dunedin, for sunset...

Pictured here is the old pier on St. Clair beach located just south of Dunedin, New Zealand. On this evening there was a fairly low tide, so I got right down into the middle of the old pier posts to take this one amidst the waves. I liked the way the red illumination from the sunset was just creeping into the right side of the image and glowing off the pier posts and the wet beach sand. There was no way to get the setting sun into the frame because at dusk its aspect was behind some quite large hills that are just west of this beach, so I decided to center the island just off the coast between the pier posts. The island was named "Ponuiahine" by the indigenous Moāri which oddly means "The Girl's Great Night"...the local English name is much less original, it is named "White Island" because of the island's appearance from all of the white bird droppings that have built up the island over the centuries.

This is the actual first image I took during my recent trip to New Zealand. So the title of the image comes from the fact that this composition "greeted" me to the beauties of New Zealand combined with the way the pier posts look to have faces on them (at the top) and are all lined up like ushers greeting people as they come off the ocean and "walk down the aisle" of these greeters onto the beach and then into Dunedin...

I hope this image and message find you well.

Camera Settings: ISO-100, 24mm at f/11 for 381 seconds using one Lee Proglass 3.0ND Filter (10 stops) for the longer exposure and on Lee .75ND Grad (2.5 stops) to balance the brighter sky with the foreground...image was captured at 7:30pm as the sun was setting (off camera about 90° to my position)...

peace,
D. "Bodhi"

‪#‎New‬ ‪#‎Zealand‬ ‪#‎South‬ ‪#‎Island‬ ‪#‎Moari‬ ‪#‎Dunedin‬ ‪#‎SaintClair‬ ‪#‎Dolica‬‪#‎Tripods‬ ‪#‎Lee‬ ‪#‎Filters‬ ‪#‎BigStopper‬ ‪#‎ND‬ ‪#‎LongExposure‬ ‪#‎LE‬ ‪#‎Nikon‬‪#‎D800‬ ‪#‎Nikkor‬ ‪#‎24mm‬ ‪#‎f1‬.4 ‪#‎Seascape‬ ‪#‎Pier‬ ‪#‎Ruins‬ ‪#‎Beach‬ ‪#‎Ocean‬‪#‎Waves‬ ‪#‎Landscape‬ ‪#‎Sunset‬ ‪#‎Dusk‬ ‪#‎Reflection‬

Newer image, entitled "Ambivalent to Becoming" by D. "Bodhi" Smith


Entitled, "Ambivalent to Becoming," this is another of my newest compositions captured recently on my trip to the South island of New Zealand. I am telling you, without hesitation, go visit this country...it is a very beautiful land.

I named this image "Ambivalent to Becoming" as I can personify these rocks as unhatched eggs...only these eternal eggs could care less one way or another if they ever hatch to become something else...they just sit and bask in the sun as they lay on the beach day after day, year after year, century after century, relishing in the idea that being is better than becoming. This might be my best title for an image of mine ever, IMHO.

I got up a few hours before sunrise and set off on dawn patrol for capturing the Moeraki boulders (pronounced "Mow-racky") at sunrise during a low tide event. My drive to this spot was a little over an hour, but because of the time in the morning, there was absolutely no traffic on the highway and I made it in less than one hour. Under darkness i headed out in search of these gigantic boulders. I was shut out by rain/lightning for capturing a sunset at this spot a couple nights previously, but luckily I was able to return to this unique scene before I headed over to the west coast of the island on my third day in New Zealand.

This is a well known spot for visitors and photographers alike to visit. Pictures of these boulders were even on the promo images for New Zealand Airlines during my arrival flight listed as a place tourists "must see." So it is not a surprise that this beach gets extremely crowded as people relieve their curiosity and get up-close and personal to check-out these egg-like rocks. And to boot, they are very easy to find with signage right off the main highway and access via a short, easy stroll on the beach.

I made the stroll up the beach in the dark to see the large silhouettes of these boulders in the dim glow of my headlamp at low lumens. Impressive in the dark, I could not wait to see them in the reds and purples of the morning light. But that would not turn out to be the case on this morning as the tide and the clouds just did not cooperate.

I was then joined by another aspiring NZ photographer, Mason Osborne as the sun was starting to rise. We were both comparatively disappointed because the cloud deck was just too thick on the east front to permit any of the red wavelengths of the rising sun to shine on the clouds overhead, resulting in a very lackluster and unspectacular sunrise. Bummer. Double Bummer. My idea of "Planned Chance" working against my favor once again...or maybe not?

As I pointed out previously, this location is well known, so before I ever stepped foot on the Moeraki Beach, I was told over and over by numerous guides and photographers to shoot here at low tide. I will tell you now that this is not so. Do not shoot this location at low tide, ever, period. This is identical to California's Bowling Ball Beach as it is best shot at middle-high tide. Low tide is too low. High tide is too high. Middle-high tide is Goldilocks just right.

At sunrise, the tide was honestly just too low to really get anything spectacular with my style of long exposure photography anyway. The waves were not coming in far enough and flowing around the most interesting of the boulders on the beach. So my Options: 1. leave and make my way early to Lake Wanaka, or, 2. stay 3-4 hours longer on this beach until the tide came up and was surrounding the rocks and hope the cloud deck lingers to help block down the sunlight. #1 had no risk or variables. #2 needed allot to happen for it to work out. I opted for #2, I would wait, reasoning that it might be a long while before I made it back to this beach in the future. I decided I would hang out until the clouds started to break up or the tide came in and permitted me to shoot these rocks in the manner I wanted to capture them.

A few hundred people milled onto the beach and played around and on top of these boulders as the clock ticked away and the tide came in more and more favorably. The clouds hung out with me, as if wanting me to capture something special from this spot to take home to the other hemispheres of the world. I set up on these three rocks at the north end of the formation, more remote and aways from most of the tourists on the beach. I liked their roundness and contrast to the waves rolling in around them. I waited. The clouds waited as well. Then it happened, I got an image I really liked, this is the result. Glad I chose that second option, but I know I could have easily wasted my time and got nothing for my efforts, but "Planned Chance" did work in my favor after all. As I walked down the beach to the carpark, the clouds broke apart and the sun came out in its full bright glory. Insert a smile on my face as I strolled off the beach, got in the car, and drove off down the left side of the road to Wanaka singing to the steering wheel my rendition of Men at Work's "Overkill" which was playing through my iPod into the car stereo ...

By the way, these boulders make up a rare rock-reef formation whose only equal is actually found in my native California on the northern coastline in Mendocino county on "Bowling Ball Beach" (see my image a few posts below this one that is named "Idiosycre Sea"). I am not certain, but I think that I might very well be the only professional photog to have captured gallery images from both of these beautiful and eerie seaside rock formations located on opposite sides of the vast Pacific Ocean. And I hate to admit it, but this set of rocks is more photogenic and eloquent than the ones found in my homeland...I will be going back to revisit this scene as a sunset, and at mid-high tide in the near future. Beautiful rocks in a beautiful land.

May this picture bring a smile and brightness to your day

Camera Settings: ISO-100, 28mm at f/8 for 355 seconds taken at 10:56am under a canopy of heavy clouds...using the Lee filter holder system, I stacked four filters mounted in front of my Nikkor 28-70mm f2.8 lens for this exposure: three Lee Proglass ND Filters (3.0ND (a.k.a. the Big Stopper),.9ND, and .6ND for 15 stops in total) for permitting me to capture this extreme long exposure and one Lee .75ND Grad (2.5 stops) to balance the brighter sky with the foreground...

I hope this message and image find you well.

peace,
D. "Bodhi"

‪#‎New‬ ‪#‎Zealand‬ ‪#‎South‬ ‪#‎Island‬ ‪#‎Moeraki‬ ‪#‎Boulders‬ ‪#‎Dunedin‬ ‪#‎Dolica‬‪#‎Tripods‬ ‪#‎Lee‬ ‪#‎Filters‬ ‪#‎BigStopper‬ ‪#‎ND‬ ‪#‎LongExposure‬ ‪#‎LE‬ ‪#‎Nikon‬‪#‎D800‬ ‪#‎Nikkor‬ #24-70mm ‪#‎Seascape‬ ‪#‎Reef‬ ‪#‎Beach‬ ‪#‎Pacific‬ ‪#‎Ocean‬‪#‎Waves‬ ‪#‎Landscape‬ ‪#‎Reflection‬